TY  - BOOK
AU  - Adamson,Glenn
TI  - Thinking through craft
SN  - 1350092630
AV  - N8510 .A33 2018
U1  - 745.5 23
PY  - 2018///
CY  - London, UK, New York, NY, USA
PB  - Bloombury Visual Arts
KW  - Art
KW  - Technique
KW  - Handicraft
KW  - Workmanship
KW  - Artisanat
KW  - Qualité du travail
KW  - crafts (art genres)
KW  - aat
KW  - Crafts
KW  - eflch
KW  - fast
KW  - ukslc
N1  - Includes bibliographical references and index; Introduction -- Craft at the Limits -- Craft as a Process -- Chapter 1. Supplemental --"Homage to Brancusi" -- Wearable Sculptures: Modern Jewelry and the Problem of Autonomy -- Reframing the Pattern and Decoration Movement -- Props: Gijs Bakker and Gord Peteran -- Chapter 2. Material -- Ceramic Presence: Peter Voulkos -- Natural Limitations: Stephen De Staebler and Ken Price -- Crawling Through Mud: Yagi Kazuo -- The Materialization of the Art Object, 1966-72 -- Breath: Dale Chihuly and Emma Woffenden -- Chapter 3. Skilled -- Circular Thinking: David Pye and Michael Baxandall --  Learning by Doing -- Thinking in Situations: Josef Albers--From the Bauhaus to Black Mountain -- Charles Jencks and Kenneth Frampton: The Ad Hoc and the Tectonic -- Chapter 4. Pastoral -- Regions Apart -- Two Versions of Pastoral: Phil Leider and Art Espenet Carpenter -- North, South, East, West: Carl Andre and Robert Smithson -- Landscapes: Gord Peteran and Richard Slee -- Chapter 5. Amateur -- "The World's Most Fascinating Hobby": Robert Arneson -- Feminism and the Politics of Amateurism -- Abject Craft: Mike Kelley and Tracey Emin -- Conclusion
N2  - This book is an introduction to the way that artists working in all media think about craft. Workmanship is key to today's visual arts, when high 'production values' are becoming increasingly commonplace. Yet craft's centrality to contemporary art has received little serious attention from critics and historians. Dispensing with clichéd arguments that craft is art, Adamson persuasively makes a case for defining craft in a more nuanced fashion. The interesting thing about craft, he argues, is that it is perceived to be 'inferior' to art. The book consists of an overview of various aspects of this second-class identity - supplementarity, sensuality, skill, the pastoral, and the amateur. It also provides historical case studies analysing craft's role in a variety of disciplines, including architecture, design, contemporary art, and the crafts themselves
ER  -