000 | 03195cam a22004334a 4500 | ||
---|---|---|---|
999 |
_c1236 _d1236 |
||
001 | 14082413 | ||
003 | DLC? | ||
005 | 20240725210235.0 | ||
008 | 050822s2006 caua b s001 0 eng | ||
010 | _a 2005023951 | ||
015 |
_aGBA627520 _2bnb |
||
016 | 7 |
_a013414763 _2Uk |
|
020 | _a0520241878 (cloth : alk. paper) | ||
020 | _a0520241886 (pbk. : alk. paper) | ||
020 | _a9780520241886 | ||
035 | _a(OCoLC)ocm61362718 | ||
040 |
_aDLC _cDLC _dBAKER _dUKM _dC#P _dCOO _dDLC |
||
042 | _apcc | ||
043 | _an-us--- | ||
050 | 0 | 0 |
_aN72.S6 _bS36 2006 |
082 | 0 | 0 |
_a701/.03 _222 |
245 | 0 | 0 |
_aSeeing high & low : _brepresenting social conflict in American visual culture / _cedited by Patricia Johnston. |
246 | 3 | _aSeeing high and low | |
260 |
_aBerkeley : _bUniversity of California Press, _cc2006. |
||
300 |
_avii, 308 p. : _bill. ; _c24 cm. |
||
500 | _a"An Ahmansona-Murphy fine arts book"--P. [4] of cover. | ||
504 | _aIncludes bibliographical references and index. | ||
505 | 0 | _aEducating for distinction? Art, hierarchy, and Charles Willson Peale's Staircase group / David Steinberg -- Samuel F.B. Morse's Gallery of the Louvre: social tensions in an ideal world / Patricia Johnston -- Cartoons in color: David Gilmour Blythe's very uncivil war / Sarah Burns -- "Ain't I a woman?": Anne Whitney, Edmonia Lewis, and the iconography of emancipation / Melissa Dabakis -- Cultural racism: resistance and accommodation in the Civil War art of Eastman Johnson and Thomas Nast / Patricia Hills -- Custer's last stand: high-low on old and new frontiers / Patricia M. Burnham -- Reenvisioning "This well-wooded land" / Janice Simon -- At home with Mona Lisa: consumers and commercial visual culture, 1880-1920 / Katharine Martinez -- Gustav Stickley's designs for the home: an activist aesthetic for the upwardly mobile / Arlette Klaric -- Handicraft, Native American art, and modern Indian identity / Elizabeth Hutchinson -- Alone on the sidewalks of New York: Alfred Stieglitz's photography, 1892-1913 / Joanne Lukitsh -- The colors of modernism: Georgia O'Keeffe, Cheney brothers, and the relationship between art and industry in the 1920s / Regina Lee Blaszczyk -- The invisibility of race in modernist representation: Marsden Hartley's North Atlantic folk / Donna M. Cassidy -- Caricaturing the Gringo tourist: Diego Rivera's Folkloric and touristic Mexico and Miguel Covarrubias's Sunday afternoon in Xochimilco / Jeffrey Belnap -- The Norman Rockwell Museum and the representation of social conflict / Alan Wallach. | |
650 | 0 |
_aArt and society _zUnited States. _92103 |
|
650 | 0 |
_aSocial conflict in art. _92104 |
|
650 | 0 |
_aValues. _92105 |
|
700 | 1 |
_aJohnston, Patricia A., _d1954- _92106 |
|
856 | 4 | 1 |
_3Table of contents _uhttp://www.loc.gov/catdir/toc/ecip0518/2005023951.html |
856 | 4 | 2 |
_3Contributor biographical information _uhttp://www.loc.gov/catdir/enhancements/fy0623/2005023951-b.html |
856 | 4 | 2 |
_3Publisher description _uhttp://www.loc.gov/catdir/enhancements/fy0623/2005023951-d.html |
856 | 4 | 2 |
_3Book review (H-Net) _uhttp://www.h-net.org/review/hrev-a0f5r2-aa |
906 |
_a7 _bcbc _corignew _d1 _eecip _f20 _gy-gencatlg |
||
942 |
_2lcc _cBK |