000			03400cam a2200445Ii 4500
999			_c2225 _d2225
001			on1055264530
003			OCoLC
005			20240725210319.0
008			181003s2019 ctua b 001 0ceng d
010			_a2018946046
020			_a0300226667
020			_a9780300226669
035			_a(OCoLC)1055264530 _z(OCoLC)1111265898 _z(OCoLC)1111854313 _z(OCoLC)1112899683
037			_aW013167
040			_aYDX _beng _erda _cYDX _dBDX _dOCLCQ _dERASA _dYUS _dOCLCO _dOCLCF _dYDXIT _dUMC _dPUL _dL2U _dUKMGB _dLML _dOCLCO _dMYA _dTEU _dCHVBK _dCDN _dOCLCO _dOCLCQ _dOCL _dYUS _dMUU _dZVP
043			_ae-be---
049			_aZVPA
050		4	_aN6973.V4 _bK84 2019
100	1		_aKuenzli, Katherine Marie, _eauthor. _95311
245	1	0	_aHenry van de Velde : _bdesigning modernism / _cKatherine M. Kuenzli.
246	3	0	_aDesigning modernism.
264		1	_aNew Haven : _bYale University Press, _c[2019]
264		4	_c©2019.
300			_aviii, 228 pages : _billustrations (chiefly color) ; _c29 cm.
336			_atext _btxt _2rdacontent.
336			_astill image _bsti _2rdacontent.
337			_aunmediated _bn _2rdamedia.
338			_avolume _bnc _2rdacarrier.
504			_aIncludes bibliographical references (pages 198-219) and index.
505	0	0	_gChapter 1. _tA "scientific" aesthetic : Neo-Impressionism, the applied arts, and ornament in Brussels -- _gChapter 2. _tThe birth of the Modernist art museum : the Folkwang Museum and the gesamtkunstwerk in Hagen -- _gChapter 3. _tThe workshop as laboratory : Van de Velde's pedagogy in Weimar -- _gChapter 4. _tIndustrial art and the New Style : Van de Velde at the 1906 Dresden Applied Arts Exhibition -- _gChapter 5. _tArchitecture, individualism, and nation : the Werkbund Theater building in Cologne -- _gChapter 6. _tAfter 1914 : Van de Velde's work in the Netherlands and Belgium -- _gEpilogue. _tVan de Velde's legacy to Modernism.
520	8		_aThe painter, designer, and architect Henry van de Velde (1863-1957) played a crucial role in expanding modernist aesthetics beyond Paris and beyond painting. Opposing growing nationalism around 1900, he sought to make painting the basis of an aesthetic that transcended boundaries between the arts and between nations through his work in Belgium, France, Germany, and the Netherlands. Van de Velde's internationally recognized designs for homes, museums, and theaters are often associated with Art Nouveau and the Jugendstil; after 1900, he helped define the fields of modern architecture and design in the German Werkbund. He also laid the groundwork for the Bauhaus, which grew out of the applied and fine art schools he designed in Weimar. When van de Velde was exiled from Germany after the outbreak of World War I, he recommended that Walter Gropius succeed him as the director of the school. This long-awaited book, the first major work on van de Velde in English, positions him firmly as one of the 20th century's most influential practitioners of design and architecture and a crucial voice within the modern movement.
590			_aBGCFOLIO.
600	1	0	_aVelde, Henry van de, _d1863-1957 _xCriticism and interpretation. _93982
600	1	0	_aVelde, Henry van de, _d1863-1957 _xAesthetics. _95312
600	1	0	_aVelde, Henry van de, _d1863-1957 _xInfluence. _93983
650		0	_aArtists _zBelgium. _94298
650		0	_aModernism (Aesthetics) _91962
650		0	_aModern movement (Architecture) _95313
942			_2lcc _cBK