MARC details
| 000 -LEADER |
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| fixed length control field |
04402cam a22003977i 4500 |
| 001 - CONTROL NUMBER |
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| control field |
17274253 |
| 003 - CONTROL NUMBER IDENTIFIER |
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| control field |
DLC |
| 005 - DATE AND TIME OF LATEST TRANSACTION |
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| control field |
20240725210314.0 |
| 008 - FIXED-LENGTH DATA ELEMENTS--GENERAL INFORMATION |
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| fixed length control field |
120426s2012 enka b 001 0 eng d |
| 010 ## - LIBRARY OF CONGRESS CONTROL NUMBER |
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| LC control number |
2012938618 |
| 015 ## - NATIONAL BIBLIOGRAPHY NUMBER |
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| National bibliography number |
GBB247967 |
| Source |
bnb |
| 016 7# - NATIONAL BIBLIOGRAPHIC AGENCY CONTROL NUMBER |
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| Record control number |
016087189 |
| Source |
Uk |
| 020 ## - INTERNATIONAL STANDARD BOOK NUMBER |
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| International Standard Book Number |
9781848220980 (hbk.) |
| 020 ## - INTERNATIONAL STANDARD BOOK NUMBER |
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| International Standard Book Number |
1848220987 (hbk.) |
| 035 ## - SYSTEM CONTROL NUMBER |
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| System control number |
(OCoLC)ocn794137021 |
| 040 ## - CATALOGING SOURCE |
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| Original cataloging agency |
UKMGB |
| Language of cataloging |
eng |
| Transcribing agency |
UKMGB |
| Description conventions |
rda |
| Modifying agency |
BTCTA |
| -- |
YDXCP |
| -- |
OCLCO |
| -- |
ERASA |
| -- |
YNK |
| -- |
IUL |
| -- |
ZCU |
| -- |
MYG |
| -- |
MEU |
| -- |
CDX |
| -- |
OCLCQ |
| -- |
FDA |
| -- |
A7U |
| -- |
OCLCF |
| -- |
NYWWB |
| -- |
OCLCQ |
| -- |
DLC |
| 042 ## - AUTHENTICATION CODE |
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| Authentication code |
lccopycat |
| 050 00 - LIBRARY OF CONGRESS CALL NUMBER |
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| Classification number |
N8558 |
| Item number |
.A78 2012 |
| 082 04 - DEWEY DECIMAL CLASSIFICATION NUMBER |
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| Classification number |
701 |
| Edition information |
23 |
| 245 00 - TITLE STATEMENT |
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| Title |
Art and authenticity / |
| Statement of responsibility, etc. |
edited by Megan Aldrich and Jos Hackforth-Jones ; with essays by Megan Aldrich [and eleven others]. |
| 260 ## - PUBLICATION, DISTRIBUTION, ETC. |
|---|
| Place of publication, distribution, etc. |
Farnham, Surrey, UK ; |
| -- |
Burlington, VT, USA : |
| Name of publisher, distributor, etc. |
Lund Humphries in association with Sotheby's Institute of Art, |
| Date of publication, distribution, etc. |
2012. |
| 300 ## - PHYSICAL DESCRIPTION |
|---|
| Extent |
208 pages : |
| Other physical details |
illustrations (chiefly color) ; |
| Dimensions |
28 cm |
| 336 ## - CONTENT TYPE |
|---|
| Content type term |
text |
| Content type code |
txt |
| Source |
rdacontent |
| 337 ## - MEDIA TYPE |
|---|
| Media type term |
unmediated |
| Media type code |
n |
| Source |
rdamedia |
| 338 ## - CARRIER TYPE |
|---|
| Carrier type term |
volume |
| Carrier type code |
nc |
| Source |
rdacarrier |
| 504 ## - BIBLIOGRAPHY, ETC. NOTE |
|---|
| Bibliography, etc. note |
Includes bibliographical references and index. |
| 505 00 - FORMATTED CONTENTS NOTE |
|---|
| Miscellaneous information |
pt. 1. |
| Title |
Material authenticity. |
| Miscellaneous information |
1. |
| Title |
Attribution and the market / |
| Statement of responsibility |
David Bellingham ; |
| Miscellaneous information |
2. |
| Title |
A dialogue of connoisseurship and science in constructing authenticity / |
| Statement of responsibility |
Morgan Wesley ; |
| Miscellaneous information |
3. |
| Title |
A Venetian sixteenth-century costume book as an authentic visual record / |
| Statement of responsibility |
Sophie von der Goltz ; |
| Miscellaneous information |
4. |
| Title |
The authenticity of traditional crafts / |
| Statement of responsibility |
Noël Riley ; |
| Miscellaneous information |
5. |
| Title |
Acquiring and displaying replicas at the South Kesington Museum / |
| Statement of responsibility |
Barbara Lasic ; |
| Miscellaneous information |
6. |
| Title |
Authentic the second time around? : |
| -- |
Eduardo Paolozzi and reconstructed studios in a museum environment / |
| Statement of responsibility |
Bernard Vere -- |
| Miscellaneous information |
pt. 2. |
| Title |
Conceptual authenticity. |
| Miscellaneous information |
7. |
| Title |
Authenticity, originality, and contemporary art / |
| Statement of responsibility |
Anthony Downey ; |
| Miscellaneous information |
8. |
| Title |
Issues of authenticity in contemporary design / |
| Statement of responsibility |
Lis Darby ; |
| Miscellaneous information |
9. |
| Title |
Creating an authentic style : |
| -- |
John Soane's gothic library at Stowe / |
| Statement of responsibility |
Megan Aldrich ; |
| Miscellaneous information |
10. |
| Title |
"Authentic" identities : |
| -- |
cross-cultural portrayals in the late eighteenth century / |
| Statement of responsibility |
Jos Hackforth-Jones ; |
| Miscellaneous information |
11. |
| Title |
Passing the buck / |
| Statement of responsibility |
Jonathan Clancy ; |
| Miscellaneous information |
12. |
| Title |
National authenticity on display? / |
| Statement of responsibility |
Natasha Degen. |
| 520 ## - SUMMARY, ETC. |
|---|
| Summary, etc. |
Art and Authenticity explores a range of questions around the ideas of authenticity, originality and replication in art. The authors move far beyond the fundamental question of 'Is it genuine?' to themes and definitions surrounding authenticity as a concept operating across different periods and contexts. The chapters consider empirical aspects of art analysis but also more conceptual and theoretical understandings of authenticity. For example, is there such a thing as authentic presentation and display of artworks? Can the idea of authenticity be applied to subject-matter and style? How do the art market and the art world respond to the perceived authenticity of artworks? This book addresses a wide range of topics within the arts and will appeal to a broad readership, from students and art specialists to art-world enthusiasts. Historically, the idea of scientific verification has arisen as a reaction against the perceived excesses of the connoisseurial tradition, a tradition which has fallen from favour over the last 50 years. The idea of individual 'expert knowledge' rests uneasily in the current climate. However, recent attempts by experts to develop definitive scientific methods for authenticating artworks are also proving to be problematic. Connoisseurship, it will be argued, still has its role to play within these debates. Therefore, through the broad range of artworks and perspectives developed within this volume, the book suggests that although the concept of authenticity is not without validity or usefulness, it nonetheless poses a continually moving target within the frameworks of varied cultural and historical constructs. The authors challenge a narrow interpretation of 'authenticity' as a concept applied to the art world, for the issues surrounding authenticity are rarely black and white.-- |
| Assigning source |
Source other than Library of Congress. |
| 650 #0 - SUBJECT ADDED ENTRY--TOPICAL TERM |
|---|
| Topical term or geographic name entry element |
Art |
| General subdivision |
Expertising. |
| 9 (RLIN) |
4905 |
| 650 #0 - SUBJECT ADDED ENTRY--TOPICAL TERM |
|---|
| Topical term or geographic name entry element |
Art |
| General subdivision |
Philosophy. |
| 9 (RLIN) |
4906 |
| 700 1# - ADDED ENTRY--PERSONAL NAME |
|---|
| Personal name |
Aldrich, Megan Brewster, |
| Relator term |
editor. |
| 9 (RLIN) |
1176 |
| 700 1# - ADDED ENTRY--PERSONAL NAME |
|---|
| Personal name |
Hackforth-Jones, Jocelyn, |
| Relator term |
editor. |
| 9 (RLIN) |
4907 |
| 710 2# - ADDED ENTRY--CORPORATE NAME |
|---|
| Corporate name or jurisdiction name as entry element |
Lund Humphries, |
| Relator term |
issuing body. |
| 9 (RLIN) |
4908 |
| 710 2# - ADDED ENTRY--CORPORATE NAME |
|---|
| Corporate name or jurisdiction name as entry element |
Sotheby's (Firm). |
| Subordinate unit |
Institute of Art, |
| Relator term |
issuing body. |
| 9 (RLIN) |
4909 |
| 942 ## - ADDED ENTRY ELEMENTS (KOHA) |
|---|
| Source of classification or shelving scheme |
Library of Congress Classification |
| Koha item type |
Books |